5/5
Bob
A girl invites a costumed stranger off the street to her older sister’s dinner party. The mysterious man simply called ‘Bob’ seems friendly enough……
The style of cinematography, which is primarily handheld, aids the viewer into a world of paranoia. The heavy use of multiple angles, colour switching and distorted focus, gives the impression the character is being closely watched – by some or by many. Not only does this help to intensify the scene, but allows the viewer to feel the severe anxiety and agitation of the protagonist.
Crisis Act is unable to reward a narrative resolution, as more questions are left by the abrupt and chaotic ending. However, taking stock of the theme of paranoia – the writing, cinematography and acting delivers finely exactly what is set out to do – confuse.
The style of cinematography, which is primarily handheld, aids the viewer into a world of paranoia. The heavy use of multiple angles, colour switching and distorted focus, gives the impression the character is being closely watched – by some or by many. Not only does this help to intensify the scene, but allows the viewer to feel the severe anxiety and agitation of the protagonist.
Crisis Act is unable to reward a narrative resolution, as more questions are left by the abrupt and chaotic ending. However, taking stock of the theme of paranoia – the writing, cinematography and acting delivers finely exactly what is set out to do – confuse.
A deeper reading key suggests that the three chapters deals the theme of ritual sacrifice in…
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